

Music that feels
like home


CHOOSE TO BE ALIVE
“Choose To Be Alive,” the first single from Seth Tabatznik’s upcoming album Awakening Embers, reflects on life’s fragility and the choice to live with intention. Leaning into Seth's folk roots, it blends acoustic guitar, ukulele, and gentle percussion in an honest, spacious production that feels both hopeful and real.


TRANSFORMATION
COMPLETE PT. 1
Transformation Complete Pt. 1 is the first in a 3-part guided meditation series by activist Pooven Moodley and composer Seth Tabatznik. Blending spoken word with crystal singing bowls, the live single-take recording invites listeners into a grounded journey of presence and reflection.


HUM MY LITTLE CHILD
Hum my little child” is an intimate lullaby Seth discovered while hiking with his daughter in the mountains. The track is built around gentle, soft percussion and a warm, sustaining shruti box—no guitar. It’s minimal by design: there’s space in every moment for parent and child. Seth’s vocal is straightforward and present—he’s simply humming, quietly singing, speaking comfort. As a piece from Mother Of The Heart, it’s meant to be lived in, breathed in, and shared as daily ritual.

Blowin' in the wind (live)
Seth has always been drawn to the music of the ’60s—songs about revolution, peace, and the deep need for change. His live cover of Bob Dylan’s Blowin’ in the Wind is a quiet tribute to that era and its questions that still echo today. Recorded live at Boschendal, surrounded by mountains and silence, this stripped-back version is just voice and guitar—simple, raw, and deeply felt.

When The wind rests
When the Wind Rests is an invitation to slow down. Inspired by a quiet moment during marathon training, the title reflects the stillness Seth felt when everything paused—and clarity came through.
This is Seth’s first studio-recorded album, carrying warmth, simplicity, and soul. Rooted in folk and medicine-music, the songs move between vulnerability (“Pain”) and quiet joy (“Feel Your Love”), all wrapped in gentle, stripped-back arrangements.






